Nsemia Inc Publishers
Nsemia Inc Publishers

Nsemia Inc Publishers

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Cast the First Stone

KShs1,600.00 KShs1,500.00
Driven by acquisitive greed, corrupt individuals lobby the government for favourable policies for their businesses. In cutthroat competition, the high and mighty engages in deadly selfish games of land and property acquisition regardless of cost. The poor are equally determined! They use every imaginable trick to have their piece of the pie. Cast the first stone is an intriguing story on lives in an African country. Kalamu, an investigative journalist, embarks on a truth-seeking assignment at the Alfajiri Scheme, not aware that his expose’ will rattle the establishment. He discovers rot whose tentacles run deep, presenting unprecedented risk to his life and the lives of his sources! Will he unravel the tangled maze? What Others Say “Cast the First Stone is moving story about the pivotal role of the press in the fight for positive change in corruption-ridden societies. It is an indictment of the press and government in the perpetuation of corruption, particularly in developing countries. The novelist has demonstrated great command of the English language and written the story with a powerful message in a style that is easy and interesting to read. The issues addressed are very relevant to the African society today.” – Dr. Andrew Nyongesa, Scholar of Literature. “From cutting deals, playing the deadly and selfish games of trampling on the poor to get ahead, to the never-say-die spirit of the poor to get a piece of the cake, Cast the First Stone is a riveting story that illuminates the realities of a corrupt, unjust society!” – Anonymous.

Why We Tell Stories

KShs1,000.00 KShs800.00
Storytelling was an intrinsic activity in traditional African communities. Typically told by older people, usually grandmothers and grandfathers, stories were a way of life for the young and old alike, linking the past, present and future of those societies. Set as they were around a fire, the storytelling tradition strengthened communal ties between the old and the young, and as reinforced bonds among the young. Stories emphasized shared culture, cultural values and history that were the foundation of the society’s ties. They underscored important societies’ traditions, beliefs and other norms. From the old, the young learnt lessons about their community that to affirmed their collective identity. They learnt and internalized moral values such as honesty, courage, respect, solidarity and caring for others. Invariably, stories discouraged greed and selfishness. Further, the tales captured the essence of the environment in which the people lived while reinforcing their core values. They contributed to character-building through appreciation of the moral of the stories. In Why We Tell Stories, Dorcas Kiptoo and Arthur Dobrin bring their storytelling experiences and expertise to the fore through a selection of from the African folklore. Even as the two look back to societies of yore to dig up the tales, the inherent lessons remain as relevant in contemporary times as they were ages ago. About the Authors Dorcas Kiptoo was born in Mogotio, Kenya. She attended Kenyatta University where she earned her Bachelor of Education degree. She currently lives in New York.

Bile on my Smile

KShs800.00 KShs600.00
Bile on My Smile is a collection of poems authored by the youngest and most brilliant poet in Kenya. Its motivation seems to largely emanate from the poet’s childhood experiences: meditations, self-hate, self-denial, trauma, frustrations, disappointments, and failed ambitions. Reading through the poems the reader feels like being in a dark room with an invisible body that is experiencing anguish and trauma, haunted by invisible ghosts and spirits. Here is What Other’s Say Jepkorir Koech’s collection of poems Bile on My Smile vibrates with enthusiasm and valour. The poet ventures into beaten paths as well unbeaten ones in her bid to touch the instinct and intellect of her reader. Utilisation, preservation and conservation of nature for collective good certainly come out as a well-thought-out theme. This, added to philosophical concepts love, beauty, death, truth, betrayal, loss and freedom, reflects deeply on the poet’s concern for humanity’s most salient issue today: Destruction of nature and impending attendant catastrophes! The poems are a promise of hope for humanity. -Bwocha Nyagemi Bwocha, Kisii University.

Window into Worlds

KShs800.00 KShs600.00
Dr. Evans Gesura Mecha’s poems in Window into Worlds stir the soul and evoke worlds beyond worlds. I am overjoyed to read them, as I believe other readers would. Mecha’s poetry easily blends the jigsaws of life in the present with that of antiquity and the metaphysical. It is as much rooted in contemporaneity, indigenous ethos, as in the inwardness of a universal rhythm which ripples through his poetry like a pure, crystalline stream flowing effortlessly. It is delightfully oblique yet not constricted by the artifice of rhetoric and prosody. The subterranean nuances trigger the mind to introspect and delve into untold depths of the “feeling intellect” (Wordsworth).His powerful imagism and natural impressionism makes it superbly impactful, permeating the deepest consciousness of the reader. His poetic diction revels as much in the ordinary beauty of everyday natural life as in the transcendental realm eluding the patterns of words. His poetry smells of the musk of the soil and wings out into the transcendental. Mecha takes one easily on the magic carpet of a poetic elysium into the realms of the multiverse. I am sure readers will revel in his poetry as much as I have. - Prof. Dr. Laksmisree Banerjee, Poet, Professor, Vocalist & Ex-Vice Chancellor; Universities of Calcutta, Ranchi & Kolhan, INDIA.

Chachu za Waja : Augustine Muhindo

KShs1,000.00 KShs800.00
Udhalimu wa wanawake na wanaume ni suala la kawaida. Kazi hii inadhihirisha uhalisia wa maisha katika familia nyingi za kisasa ambapo kuna ufeministi ambapo hata mwanamke anahisi kuwa nguzo ya familia. Maisha hayo ni sawa na yale watu waliyokuwa wakiishi katika nchi dhahania ya Sokoya, iliyokuwa na makabila mawili yaani Wakomoro na Warambi. Riwaya yenyewe, inadhihirisha dhahiri shahiri jinsi wanaume wanavyodhulumiwa na wake zao. Bw. Mkata ni mfano bora anayedhalilishwa na mkewe Zekelina, mwanamke mashuhuri na maridadi katika mavazi yake kwa sababu ya hali yake ya uchechefu wa pesa. Latifu pia anadharauliwa na mchumba wake Firinda anayetambua kuwa hajatahiriwa kwa mujibu wa utamaduni wa Rambi. Kinyume na matarajio, mahusiano yanazuka wakati ambapo wanawake wanawapenda wanaume na kuvuka mipaka na kutangaza hisia zao. Peremina anamchumbia Isma naye Firinda anamsalitikia Latifu na mahusiano hayo mawili yanaishia kwenye machozi. Maoni ya wasomaji... Anuani “Chachu za waja” inaafiki matukio yaliyoangaziwa kwenye kazi yenyewe. Pengine hakuna anuani bora zaidi ya Chachu za waja kusawiri dhamira ya mwandishi. Mwandishi ametumia mbinu ya kipekee ya chachu katika harakatio za kuunda kazi yake kuonesha kwamba, swala analolizungumuzia lipo na waathirika ni wengi.

The Forbidden Fruit

KShs1,000.00 KShs800.00
Devolution of governance and management of public services came as a blessing to many at the grassroots. It generated hope and raised expectations for the many that wallowed in poverty for years on end. With twists and turns, Tumbocracy etches out Democracy and, inevitably, things take the wrong-turn! Is doom the ultimate destination for the many a citizen at the grassroots? Forbidden Fruit is a fast-paced drama that raises important questions about the legitimacy of the many flagship initiatives of devolved units! What Others Say “The play captures happenings in devolved units in Kenya. Poor governance, mass corruption, and leaders’ amassing of wealth for themselves, is evident. The playwright creates the content anew and makes it sensitive to the society again as these issues have been taken as obvious and normal.” – Rose Keya Kong’ani, Editor

The Girl of Red Beauty

KShs1,000.00 KShs800.00
In these thirteen chapters of verse, titled The Girl of Red Beauty, Alfred Nyagaka Nyamwange captures voices of the people of Gusii, AbaGusii, through their songs, proverbs and play games. The voices pronounce AbaGusii philosophies, fears, moods, and tempo as they work and traverse the hills and the valleys that constitute the Gusii Highlands. The element of the poetry here emanates from the beliefs, norms, proverbs, sayings, wisdom, songs, stories, and the environment, all of which combine to produce a presence of living souls. The personas fully manifest in an active environment, whereby, at every strum of the lyre and roll of the drum, the verse comes alive. Welcome, sing and dance along. What Others Say Nyamwange writes in the trend of African oral tradition with his poetry using local imagery and idioms, and of simple and direct language. "It affirms valuable continuity with pre-colonial African culture synthesized with other cultures to create something unique.” – Dr. Chris Okemwa, Author, Poet and Lecturer in Literary Studies. “The uniqueness of the anthology of this poetry lies in the thorough depiction of the culture of AbaGusii from different facets such as marriage, circumcision, religion, environment through poetry. The work resembles great poetry such as Song of Lawino and Song of Ocol.” – Dr. Andrew Nyongesa, Editor and Literary Scholar

This Red Land: A novel

KShs1,800.00 KShs1,600.00
“I was moved by the character’s struggle to find meaning in their lives. So sorry to see it end! I couldn’t put it down. It is a story told with great imagination and sensitivity. The descriptions of New York, Kenya and Japan come alive.” - Mel Haber, business writing teacher “This novel expertly transports the readers across continents, decades and cultures. The characters’ lives are nicely interwoven in this real-world novel.” - Rich Green, retired professor of comparative literature. “In this moving sequel to his novels Malaika, Salted With Fire, and Kwamboka’s Inquiry, Dobrin weaves a riveting, tragic tale bridging the lives of his richly developed characters in New York and Kenya across decades marked by violent political and social upheavals. From the red soils of Kenya, to the red of blood spilled, to the red of political ideology, This Red Land presents timeless themes of love, struggle, and yearning for justice in a carefully crafted, wise, and deeply human work of richly detailed historical fiction.” - Colleen Eren, sociologist. Enriching. Enjoyably Complex. Bravo! “Vivid characters leading parallel lives with vastly different experiences and perceptions of the world are expertly interweaved by the author to briefly intercept in an unexpected and powerful way amid rich cultural, political and historical texture. This isn’t just one captivating story - but instead three! Brilliant surprise endings leave sense of something to grieve, but also to imagine and hope for.” - Jack Beder, Vice-President of Consumer Research Company

Scholarly Research: Writing and Publi...

KShs2,100.00 KShs2,000.00
Scholarly Research: Writing and Publishing into Journals and Books captures the value, process and publication of research findings. The core thesis is that conducting research is uniquely significant as it is one of the age-old means of responding to the diverse questions that face humanity. Indeed, systematic, objective, and rigorous research form the basis of most cutting-edge discoveries in the history of mankind. Conducting research is one step in the knowledge construction enterprise; dissemination is the other. Unless research results are disseminated, their significance is considerably undermined. Dissemination ensures that claims made by a researcher are interrogated, shaped, and re-interpreted by peers which forms the basis of additional scholarly discourse and calls for further research, ad infinitum. Dissemination also ensures that research findings reach policy makers and inform policy formulation. While findings from research can be disseminated through a number of outlets, this book focuses on academic publishing in books and journals. It describes the core principles in academic research and its reporting, guided by time-tested conventions that have evolved in the field over time. We discuss, as a foundation, what scholarly research is and explore writing for scholarly publication in the form of journals and books. It is hoped that this work will generate intellectual conversations, amongst our research peers and beyond, especially with regard to the broad concept of epistemology in practice.

Reminiscing Wonderland

KShs1,200.00 KShs1,100.00
Praise for Dr. Mong'are Bw'Onyancha's Reminiscing Wonderland “Interesting stories! ...some brought me to tears. Others were enthralling. I was moved by Molo's life story and captivated by the coming of age stories.” Cindy, Editor “Reminiscing Wonderland. The narrator's imagination perceives his new school as a magical dreamland, a 'Once upon a time perfect home 'until he encounters 'stains' which threaten to curtail his aspirations. His learner's enthusiasm, just like in the novel, The African Child, is without parallel. He is like an arrow on the hunter's bow, ready to go. Molo is one of the hurdles he has to overcome. Superficially, Molo is portrayed as a cold, stone-hearted troublemaker. Yet, the writer delves into his stained life. By the end, the reader sympathizes with the concept of his being, relationships, and nurturing (compare with the novels, A Grain of Wheat and Crime and Punishment, where main characters don't have close trusted relationships and how they reap what they sow). Good defeats evil, and there is the hope of redemption and support systems to the purest of state. With the passage of time and increase in human activities, all life in Wonderland will be altered in some way (Paradise Lost, Wonderland Stained).”


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