Okang'a Ooko
Okang'a Ooko

Okang'a Ooko

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INHERITED DANGER by Okanga Ooko

UShs75,050.00 UShs70,550.00
The nine stories mainly feature strong woman-led characters in their businesses, work places, and in other circumstances. In Inherited danger, a ruthless activist-turned-politician must get married to her dead husband’s brother to save her organisation from the schemes of a shrewd competitor. Aftermath takes place in the guerilla-controlled Northen Uganda. Four girls fleeing into the forest to avoid being turned into sex slaves run into a bigger danger. In Moni Afinda, a middle-aged brand manager carries the memories of her father’s failures into her business. She must win a contract at all costs and succeed because she cannot repeat her father’s mistakes. In Kichorochoro, a tumult of personal tragedies pushes a young social worker into the frontier of doom without a back-up plan. She throws herself into her work of reshaping the lives of ragamuffin homeless boys in a dangerous Nairobi slum. Rude Awakening is about the return of Ajwang Nyar Kadem, the famous femme fatale in Luo lore. The haunting cinema-esque Happy 9th Birthday is about a nine-year-old girl who is sexually abused by her father and its horrific aftermath. She throws the spanner into the works and into a nightmare of suspense and stark terror. The two last stories are about elderly musicians in a changing world. Kiss Ya Bangongi is set in the degenerate world of Congolese music and demonstrates that chasing greatness spurs doubt, self hatred, failure, and pain especially when the conditions for greatness are deemed by the sort of egotistical man the protagonist is. In First and Second Rhythm Guitars In an Old Benga Song, an old Benga guitarist must drop his personal principles and give benga music a facelift in order to save it from extinction. The two stories are linked inextricably to innovation in the guitar music, to chord changes, and voiced heartaches.

HUNTER AND GATHERER by Okanga Ooko

UShs90,050.00 UShs82,550.00
She is a hunter and he is a gatherer. She loves building enterprises. He is crazy about making money. But they have to be married because they both want one thing. Power. Kassela Obange is an intelligent and ambitious marketing pro covertly orchestrating her destiny to success in advertising in the bustling business community of Upperhill, Nairobi. The millionaire tender-preneur Rapudo Oremo wants to marry her. Her unwarrantable attraction to him presents her with the prospect for power and freedom her heart truly yearns for and she is thrown into the arena of absurdity. Rapudo has only one goal: to use politics for gain. He wants to expand his business and amass more millions. He is vicious and overtly ambitious. He's shrewd. He's flamboyant. He's ruthless. He's unscrupulous. He surrounds himself with shady deal makers, power brokers, ruthless lawyers and thugs from Katwikira in Kibira. Every political force in his path is turned into a surrogate for the motifs on the contemporary political scene. But this not any politics. This is Kenyan politics. It comes with furious vengeance and it is manned by greedy and corrupt players with cold-blooded underhand dealings. The game is played in a nefarious world. In a corrupted metropolis. In Nairobi City. The world of men. Kasela finds herself in a spot. She must be Rapudo's wife. He must marry her on her terms. Her evolution from an ordinary professional into a cold blooded political animal is not by chance or circumstance, she is from Dandora in Eastlands, and she was born to struggle and use every opportunity that comes in her path. She finds herself ensnared in It's chicken coming home to roost.

BENGAMAN by Okanga Ooko

UShs90,050.00 UShs75,050.00
In 1975, as a man-boy, Otis Dinos makes a significant step into music when a guitar comes into his hands through quirky circumstances one sunny day in downtown Kisumu. He discovers he has talent for the guitar. In the '80s, he finishes schooling and tries to fit in and find his place. But he is more an archetype than flesh-and-blood youth. Performing with Nico Opija and KDF in Kondele gives him a beginning and a journey into music. As a guitar student hitting all the required notes, Otis is the haunted genius. And KDF in Kondele is a training orchestra for demonology. He is desperate to leave Kondele’s dingy clubs to reach for the future. He seems to realise he is not accomplished until he moves to Nairobi. But the cold, cold heart of Nairobi’s nefarious pop culture schools him into becoming a more spoiled artist. Returning to Kisumu with a new band, accompanied by queasy bandmates in the ranks of villainous ne'er-dowells, he spirals down into the heart of Kisumu’s darkness, encountering upsurging whirlpools of struggle, feuds, survival, greed, envy, infidelities, competition, and exploitation. How does he wind down the hysteria; somewhat, and make a fairly good case for extraordinary achievement backmasking in heavy benga music? That’s not the issue, the issue is that as famous as he is, Otis Dinos has more problems than a normal Kisumuan. Providing a catharsis through comedy, lancing the Kenyan lakeside city’s moral boil with satire, Bengaman tells the story of ordinary men and women trying to live the Kenyan African dream. It is a story of a humble beginning, awkward and misdirected fumbling and miraculous accomplishment.
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