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My Roots
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A Historical and Cultural Analysis of Women Land Rights in Kisii Count, Kenya, 1895- 1970
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In most societies in different parts of the world, there are gender inequalities in access to productive resources such as land, and other social, economic, and environmental resources that are critical for people’s sustenance. However, in many instances, not much research has been conducted on those critical gender issues and perceived unfairness in the ownership, access, and utilization of critical societal resources, particularly, in Africa in general, and Kenya in particular.
In this regard, the need to improve access to land and strengthen women’s land rights in Africa provided the main rationale for undertaking this research, with specific reference to the Gusii of Western Kenya. In particular, the book examines the changing and/or evolving responses of women over time to land access, ownership, control, and usage. Further, the book analyzes the relationship between indigenous land tenure systems and gendered relations; and the effects of colonial land policies on gendered relations. It also examines gender rights with respect to land access and ownership in the post-colonial period in Kisii.
Overall, this study provides pertinent information on the following critical issues. What was the relationship between pre-colonial land tenure systems and gender relations in Kisii? What were the effects of colonial and post-colonial land policies on gender relations in Gusii? How did Gusii women respond to gendered land rights and ownership in the pre-colonial, colonial, and post-colonial periods?
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Where we Started: a novel
Mines and Mind Fields: The Spoken Word
"These poems especially speak to a number of related realities in Kenya and other countries in the African continent; they speak about a people with ingenuity and yet forced to make tough choices because of hard economic and political conditions; they speak of an evolving culture, shaped by everyday realities of life and the ingenuities of survival. The mixture of languages and slang also give the poems an interesting immediacy and life."
- Mwenda Ntarangwi, Sociology Professor
"She is one of the most respected female poets in Nairobi today". The Sunday Nation writer Joseph Ngunjiri says of Njeri, "Njeri Wangari has a powerful voice, and she knows how to put it to good use. Whenever she takes to the podium to recite a poem, she has her enthusiastic audience applauding all the way. "
-Sunday Nation 8 February 2009. - Kenya's Leading newspaper.
"The poems bring a lot into perspective; and give me a thing or two to think about. ... Very nice ..."
- - Cee- A Kenyan Blogger
"I have had a hearty laugh reading Maisha Ya Hawker, got the tears to prove it :-) You just topped Women Behaving Badry and I love it! Your expression is amazing Njeri. I can't wait to see you perform this one."
- Ndanu - Performance Poet
"I must admit these are lovely poems. I have been following your blog for a while and it is very inspiring and informing. I am a poet and run the blog Two Hours Before. Your blog actually inspired me to do it also and I must tell you that your work is excellent. I will keep tuned and hopefully will get an opportunity to meet you and may be attend your performances."
- Simon Mwangi Muthiora - Blogger and Poet
The Weight of Black Tongues and Other Stories
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A fundamental question is whether parents truly know their children. On the other hand, do children really understand their parents? Such understanding is essential for a sound foundation for society. He makes the irrefutable case that poorly parented children are likely to be poor parents themselves. He challenges parents to understand that parenting is a God-given responsibility. As such, parents owe it to the Maker and the future of society to play their role as parents guided by teachings from the Bible. Step by step advice, most of which is informed by his work with Church, is invaluable for today’s parent.
Lord Kitchener
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Concerned with political expediency, despite his education, Okwach is unashamed of political sycophancy and material aggrandizement under an autocratic regime that tramples upon citizens’ rights and freedoms. It is an environment that is a graveyard of independence-era aspirations where detentions without trial and opponent assassinations are the norm.
Unfavourable circumstances (greed and social stratification) mean that Ombam discontinues his schooling early, and endures many challenges that life throws at him. His education is left waiting till much later in life.
Will either of the two succeed? You, the reader, be the judge.
What others say
“The author has successfully created an imaginative and factual work of art under postcolonial and post-modernist thought, a contestation between marginal and dominant groups owing to cultural and political differences. African independence has not led to egalitarian societies but entrenched classes, political chaos and corruption.” – Dr. Andrew Nyongesa, writer & literary scholar.
“Written in a unique, appealing flowery language, this book is rich in history dating back to Kenya’s independence. It captures the politics of the time – ideological divergence, political greed, corruption, ethnic discrimination and political assassinations, among others. Like Chimamanda Adichie’s Half of a Yellow Sun, it highlights the dangers (personal and community) of opposition politics in young African nations.” - Joel Onyango, teacher, literary critic and founder of iTend-Kenya.
Crucible for Silver and Furnace for Gold
Giorgio thought that a sojourn to Kenya's coast was the perfect way to kick back and relax, luxuriate in the sun, scuba-dive, take big-game fishing trips or a dhow cruise, but it turns out to be a break filled with mixed fortunes. On the other hand, Lavina's sabbatical for soul-searching in Malindi turns out to be a Herculean task of grappling with a moral dilemma of epic proportions. When their paths cross and their lives become intertwined, their emotionally charged struggle to connect with each other is challenging and turbulent.
This story deals with various socioeconomic issues ranging from the institution of marriage and multi-racial relationships, to amazing Kenyan art & culture, to historical land injustices brought about by the pre-nineteenth century, 99 year old colonial crown land leases, absentee landlords, and the long overdue land reform agenda on land tenures, the cause of many a conflict in the country.
The first scene opens on the Kenyan coast with captivating miles of pristine sandy white beaches, lapped by clear turquoise waters, providing the backdrop for your typical tropical beach holiday, but gets marred with a near-tragedy.
Here is a compelling and descriptive narrative that will pull at your heartstrings, but one that offers a message of hope to a moral dilemma that has bedeviled the world.
Here is what others say about this work:
From an an author clearly proud of her heritage and the beauty of her country comes a romantic tale set in Kenya. Featuring a jaw-achingly handsome Italian man and a beautiful, talented, but troubled local girl, the romance unfolds in a light teasing manner until the twist in the tale turns out to be a moral dilemma that would test the strength of any relationship. - Muthoni Garland - Kenyan writer nominated and short-listed for Caine Prize 2006, winner of Absinthe Literary Review 2003, and Founder of Story Moja, a new publishing initiative in Kenya
Moraa Gitaa writes with a crisp, clean style that will engage the reader from the first paragraph forward. A ground-breaking novel from a modern 'This Generation' African woman. A fine example of expressive writing that women around the world will find both inspiring and insightful. You'll turn page after page. - Rod Amis, Publisher & Editor G21 The World's Magazine
In delicious detail and with revolutionary zeal, Moraa tells a story of fierce passion, challenging tradition and breaking taboo. She weaves a surprising symphony. Fabulous! - John Mwazemba, Publishing Manager, Macmillan (Kenya) Publishers
Vigorous, with a surprise at every turn. This one will capture you alive! - Bruce L. Cook, Author-me.com
Moraa’s keen hand represents her generation’s challenges, hopes and dreams. She presents the reader with an intriguing, lyrical tale where lies a complex and breathtaking story of modern Kenya as shaped by politics, global interconnectedness, and the stirrings of hearts motivated by private sorrows, personal commitments, and high ideals. - Dr. Wambui Githiora-Updike, Cambridge, Massachusetts, Author of Wanjira.
A remarkable tale of love that keeps you turning the pages deep into the night. As you close the last page, you are, without choice, left with the burning question: How do I live my life? - Onduko bw'Atebe, Kenyan Author, his debut novel The Verdict of Death won first prize in the inaugural Wahome Mutahi Literary Prize (Kenya) 2006
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