The life and times of Abraham Lincoln have been analyzed and dissected in countless books. Do we need another Lincoln biography?
In Team of Rivals, esteemed historian Doris Kearns Goodwin proves that we do. Though she can't help but cover some familiar territory, her perspective is focused enough to offer fresh insights into Lincoln's leadership style and his deep understanding of human behavior and motivation.
Goodwin makes the case for Lincoln's political genius by examining his relationships with three men he selected for his cabinet, all of whom were opponents for the Republican nomination in 1860: William H. Seward, Salmon P. Chase, and Edward Bates.
These men, all accomplished, nationally known, and presidential, originally disdained Lincoln for his backwoods upbringing and lack of experience, and were shocked and humiliated at losing to this relatively obscure Illinois lawyer.
Yet Lincoln not only convinced them to join his administration--Seward as secretary of state, Chase as secretary of the treasury, and Bates as attorney general--he ultimately gained their admiration and respect as well.
How he soothed egos, turned rivals into allies, and dealt with many challenges to his leadership, all for the sake of the greater good, is largely what Goodwin's fine book is about. Had he not possessed the wisdom and confidence to select and work with the best people, she argues, he could not have led the nation through one of its darkest periods.
Ten years in the making, this engaging work reveals why "Lincoln's road to success was longer, more tortuous, and far less likely" than the other men, and why, when opportunity beckoned, Lincoln was "the best prepared to answer the call."
This multiple biography further provides valuable background and insights into the contributions and talents of Seward, Chase, and Bates. Lincoln may have been "the indispensable ingredient of the Civil War," but these three men were invaluable to Lincoln and they played key roles in keeping the nation intact. --Shawn Carkonen.
Team of Rivals doesn't just tell the story of Abraham Lincoln. It is a multiple biography of the entire team of personal and political competitors that he put together to lead the country through its greatest crisis.
Here, Doris Kearns Goodwin profiles five of the key players in her book, four of whom contended for the 1860 Republican presidential nomination and all of whom later worked together in Lincoln's cabinet.
1. Edwin M. Stanton
Stanton treated Lincoln with utter contempt at their initial acquaintance when the two men were involved in a celebrated law case in the summer of 1855.
Unimaginable as it might seem after Stanton's demeaning behavior, Lincoln offered him "the most powerful civilian post within his gift"--the post of secretary of war--at their next encounter six years later. On his first day in office as Simon Cameron's replacement, the energetic, hardworking Stanton instituted "an entirely new regime" in the War Department.
After nearly a year of disappointment with Cameron, Lincoln had found in Stanton the leader the War Department desperately needed. Lincoln's choice of Stanton revealed his singular ability to transcend personal vendetta, humiliation, or bitterness.
As for Stanton, despite his initial contempt for the man he once described as a "long armed Ape," he not only accepted the offer but came to respect and love Lincoln more than any person outside of his immediate family. He was beside himself with grief for weeks after the president's death.
2. Salmon P. Chase
Chase, an Ohioan, had been both senator and governor, had played a central role in the formation of the national Republican Party, and had shown an unflagging commitment to the cause of the black man.
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In this collection, we see love in many forms, but particularly, we see stories with young Nigerian women whose sexuality is not boxed up like some shameful secret, tucked away beneath a pile of blankets. These young women do not apologize for their existence as sexual beings; or at least they do not apologize in the traditional, self-deprecating sort of way. “Wild” presents a young woman who has had a baby outside of marriage and refuses to give in to her mother’s condemnation of her. The story itself is not quite an embracing of untraditional ideals, but a lifting up of the veil of taboo enough that by the end of this story, the young woman and her child are still portrayed with dignity. “Light” begins with the beautiful description of Enebeli’s fourteen year old daughter, who sends a boy a note, and it is not the first time. She writes, “Buki, I love you. I will give you many sons.” What is beautiful about this declaration is the girl’s own ownership of her intentions. The script is flipped here, which is to say that the demand is not being put upon her. NOT: “You must give your husband many sons.” Rather, she is the one in the power position here, and she acknowledges not only her authority to give, but also the fact that it is her will.