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Abagusii lived spiritual lives with Engoro as their God who was associated with the sun, the tool He used to traverse the world. Engoro was responsible for opening and closing days (amatuko/amagooro). At sunrise and sunset, Omogusii prayed for a good day and night.
Other worship situations arose out of need, e.g. to bless, cleanse, and sacrifice (among others) in which Omogusii communed with Engoro, described variously as Matonga/Omotongi (the creator), Monyara/Omobui (the powerful one), Omonguru (Almighty), Mokona/Omonyabikone (miracle performer).
Among the spirits, Chisokoro represented departed relatives and were a medium for communication between man and Engoro responsible for blessings. Ebirecha represented evil spirits and inflicted punishment. A person displaying negative signs meant that either the Chisokoro were not happy with the person or he had attracted the wrath of ebirecha. For the former, one needed to appease (sacrifice) the Chisokoro. The latter one needed cleansing. Sacrifices and cleansing followed specific routines and were carried out at specified sacred sites.
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Chasing Ethnic Shadows
This is a gripping political story featuring two tribes; the Bandalo and Waleki communities in the wake of a political turmoil in a young African country.
When Adena, a young woman who works her way through formal schooling and Munara, a police officer of high moral standing meet and fall in love, theirs is a thrilling love story. Amidst fights, lootings and violence, their worlds are fused into one.
From two opposing ethnic communities, a glaring age gap, an intimidating class difference; can love withstand the political tension? Can their story bridge the ethnic differences between their respective communities? Can it cure the country from chaos?
The Vanishing Indigenous Heritage of the Abagusii of Western Kenya
Abagusii are a Bantu-speaking group found in South Western Kenya, also called the Gusii region. Like other indigenous communities in the world, the people of Gusii have a rich heritage that captures their history and culture. The community’s heritage is at the core of their identity. For instance, Abagusii were deeply spiritual, be it in the administration of justice, an individual’s conduct or relationships with others in the society.
As the community settled down, some places became more important to them. Some of these sites assumed spiritual significance. Others became historical with inscriptions that predate the arrival of the group on present-day Gusii. Places such as Ngoro ya Mwaga, at the base of the Manga Ridge, were important to the spiritual lives of Abagusii. It was sacred, and clear rules governed the manner of conduct while visiting the location. Other locations like the caves in Sameta have rock-inscribed writings that have stood the test of time. They predate the group’s arrival in that land. Some developments saw the transformation of people’s lives, such as the building of the first watermills, which substantially eased the tedious work of preparing cooking flour.
This book points to the potential these places hold for present-day Gusii, Kenya and the world. As the authors write, ‘It is also important to note that other than satisfying the social-religious needs of the local community, if well managed and presented, these sites can become a source of cultural heritage tourism.’ Not only would this promote the heritage of the people of Gusii but also become a source of revenue for the two counties of Kisii and Nyamira.
Further, the work underlines the importance of preserving the sites, and the heritage they represent, for future generations and the world at large. Unfortunately, as the land sizes decline in Gusii, there is encroachment and (in many cases) destruction of what was once sacred. When such destruction takes place, it goes with the historical and cultural representation it holds.
Smiles in Pathos and Other Poems
miles in Pathos and Other Poems is a collection of selected poems by Khainga O'Okwemba. The poet stands on the opposite ends of his contemporaries because of his faith and reverence in the traditional forms of poetry. He is intimately Augustan in craft and romantic in idealizing the poetic forms. The poems are written in three models divided into separate books, with each book sub-themed.
In Book One we have the celebratory short poems called Poems of Homage which are inspired by the poet's admiration of canonical African writers: Chinua Achebe, Wole Soyinka, Ngugi wa Thiong'o, Chris Wanjala, Peter Abrahams, Leopold Sedar Senghor, Ayi Kwei Amah, Denis Brutus, Christopher Okigbo, among others.
The Incidental poems in Book Two called Poems of Known Tradition , adopt identifiable forms; rhyme, rhythm, alliteration, repetition, stanza, terza rima, sonnet, and which take on socio-political themes.
In Book Three we find the mock epic narrative poetry with the title Pearls of Laughter. The narrative poem needs first to be enjoyed as a love story, and as a satire. Every piece has a life of its own. However, the work is well appreciated when the fragmented pieces are united into one, a feat generally admired by the poet
The Gusii of Kenya by John S. Akama
The Gusii of Kenya: Social, Economic, Cultural, Political & Judicial Perspectives provides in-depth topical insights of the Gusii (also known as the Kisii) of Kenya. The book captures historical aspects of the Gusii and how they ended up occupying their present lands. It enunciates the group’s cultural, political and economic organization that are core to the group’s identify and overall survival. Reading the book would provide understanding of some noticeable elements of these perspectives that persist to date. Cultural aspects such as the rites of passage and weddings, part of core identity elements of a people, are well articulated. Social organization, starting at the homestead to clan to community level, was intricately woven to form a coherence whole that defined the Gusii. Indeed, this also formed a basis of core elements of code of conduct (chinsoni) and justice as traditionally administered.
The book also raises a number of questions regarding the core character of the Gusii such as lack of central authority and the implications this has had on the community over time. One can only speculate the trajectory of history that would have been had the Gusii organized themselves differently.
Korondo-Panic: A Satirized Diary of a Kenyan’s Experience during the COVID-19 Pandemic
“Articles in this book overflow with humour and thought provoking jokes. The way Araka twists and plays around with names of public figures, their actions and inactions, and blends it with the joys and disappointments of ‘ordinary’ citizens is on another level. The style is readable and appealing. The articles revolve around the novel Coronavirus disease. This is a time to be told and retold to present and future generations.” - Rose Kong’ani Keya, Book Editor and Teacher
“The author has banked on wordplay to offer his contribution in chronicling a critical moment in our lives when COVID-19 threw the world into panic and confusion. The book tells of humanity’s inadequacies, hits and misses. Through his trademark satire, Araka shows that as human beings, we deserve better and can do better even when caught up in difficulties. - Edna, Gutenbergschule, Leipzig
“Many occurrences happen in everyday life and can go unnoticed despite being significant. Araka is a gifted writer that makes such occurrences memorable through satire and humour. The themes in the articles including: political manipulations, exploitation, corruption, family relations, hypocrisy, traditions, and modern technology are well intertwined in the writer’s rich narrative style with vivid descriptions that capture the reader to achieve reading this collection in the shortest time possible. I recommend this collection to readers that wish to relive occurrences in their lives and surroundings in a laughable way.” - George Onkundi, Principal, Nyamira School.
About the Author: Joshua Nyangau Araka is a journalist, creative writer and biographer. His other published works include: Peppered Path, Chronicles of the Idler-Volume One, and Beaten Odds, a Biography of Stephen Mabea.
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