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This Red Land: A novel
“I was moved by the character’s struggle to find meaning in their lives. So sorry to see it end! I couldn’t put it down. It is a story told with great imagination and sensitivity. The descriptions of New York, Kenya and Japan come alive.” - Mel Haber, business writing teacher
“This novel expertly transports the readers across continents, decades and cultures. The characters’ lives are nicely interwoven in this real-world novel.” - Rich Green, retired professor of comparative literature.
“In this moving sequel to his novels Malaika, Salted With Fire, and Kwamboka’s Inquiry, Dobrin weaves a riveting, tragic tale bridging the lives of his richly developed characters in New York and Kenya across decades marked by violent political and social upheavals. From the red soils of Kenya, to the red of blood spilled, to the red of political ideology, This Red Land presents timeless themes of love, struggle, and yearning for justice in a carefully crafted, wise, and deeply human work of richly detailed historical fiction.” - Colleen Eren, sociologist.
Enriching. Enjoyably Complex. Bravo!
“Vivid characters leading parallel lives with vastly different experiences and perceptions of the world are expertly interweaved by the author to briefly intercept in an unexpected and powerful way amid rich cultural, political and historical texture. This isn’t just one captivating story - but instead three! Brilliant surprise endings leave sense of something to grieve, but also to imagine and hope for.” - Jack Beder, Vice-President of Consumer Research Company
The Trial of the GODS
The Trial of the Gods is the story of a man and his people who live in the Kalahari Desert. They believe that the land they occupy belongs to the Gods hence cannot be owned by anyone else, least of all Government. The book takes the reader through human rights Bushman activism in an environment they are considered uncivilized and stigmatized as scavengers; the wretched of earth, in the words of Franz Fanon.
As the government plans relocation and integration of Bushmen into "mainstream society" one man, Jay, and his people vehemently resist. It becomes a quest for justice, truth and conservation. They cannot listen to anyone, or get instructions from the Government, lawyers or judges. Only instructions from the Gods will do as to whether they should embrace the "dangerous" world of development and civilization. It becomes a matter of life and death as the man and his people realize that the Gods alone cannot help fight one of the richest governments in Africa. In the process their claims and demands reverberate across the land and the world, touching many human rights organizations and supporters.
Will they manage to fight a government financed by the most precious diamonds in the world?
Here is what others say:
"The Trial of the Gods is a gripping tale of conflict between modernity and tradition, old and new conventions, conservation and human rights." - Anonymous
"The Trial of the Gods is more than just a story. It's a commentary about how determination, courage and love will ultimately defeat greed. It is definitely a must-read." - Olopeng Rabasimane, Columnist, The Botswana Gazette
Abagusii Wisdom Revisited: Proverbs i...
Abagusii Wisdom Revisited is a collection of proverbs and metaphors in Ekegusii, one of the forty one languages spoken in Kenya. It includes naming conventions in the calendar, the traditional homestead, cattle (which were a symbol of wealth in traditional Gusii society), currency and traditional brew. The book captures wisdom told over generations and observations intertwined with profound meaning.
In order to avail the work to a wider audience than Ekegusii readers and speakers, the author has attempted to put the necessary context, giving the English equivalent and, in some cases, using story-lines to establish the meaning. Here is an example:
Abanda 'mbairokaine; Onchong’a agatama ekworo Kimaiga kayebwate:
The rich revere/fear one another as in the case of Onchong’a who fled on noticing Kimaiga’s cloak.
Storyline: Once there were two rich men who unknowingly met at the home of a beautiful girl, whom they both intended to woo. Mr. Onchong’a reported earlier. However, when Mr. Kimaiga also arrived for the same purpose, Mr. Onchonga, who was less wealthy, stealthily walked away without ado.
Taboos of Abagusii of Kenya
Emegiro y’Abagusii ba Kenya (Taboos of Abagusii of Kenya) documents taboos of the Abagusii and the role the taboos played, and continue to play, in that society. Authors assert that the taboos regulated society in all dimensions. A person breaking a taboo would face censure and/or punishment unless s/he was cleansed.
Taboos have vital effect on a society’s conduct. They regulate relations and determine how the society utilizes its resources, among other things. They also protect society from dangerous persons such as criminals.
Taboos demand obedience and are associated with rituals; they impose specific or restrictive behaviour, usually directed at avoiding danger, be it imminent or long-term.
As captured in this book, taboos are social constitutions for, together with cultural laws, they regulate community conduct.
Some taboos documented here may not be relevant today. However, they capture the context and hence the society of the time. They are of historical significance, many threads of which exist today.
The Armageddon and Other Stories
The unpredictable weather patterns in Africa, the rise of earth's surface temperature, the melting of polar ice caps, rising of sea levels and the blazing wildfires in the Americas and Australia call for urgent action to conserve Mother Nature or risk Armageddon, the final destruction of the planet. This is the subject that runs through this compilation of stories to reiterate Wangari Maathai's assertion that the future of the planet concerns all of us and we should do what we can to protect it. It is the intention of debut and established authors of this anthology to perpetuate Maathai's legacy to avert Mother
Natures' vengeance against humanity. The Armageddon and Other Stories, therefore, breaks away from conventional social and political themes on the African literary scene to depict the demerits of deforestation, pollution, logging, the relegation of climate change, and other concerns of ecocriticism. At the crux of the anthology is the argument that the tendency to use financial profits to measure the success of commercial institutions without considering their role in environmental conservation is misleading. - Andrew Nyongesa.
Air, water, and earth are the basic amenities of life. Humans have constantly tampered with nature. Cyclical processes that nature has designed for resource conservation are fragrantly interfered with. As a result, the threat to life has been increased due to human activities in the environment. Some of these are air, water, and noise pollution; deforestation, blind industrialization, over-population; waste disposal, climate change, global warming, the greenhouse effect, and the imbalance established in the biosphere. The stories herein serve to spread environmental awareness in our society as well as in our daily routine life. It is necessary to save and protect our environment. - John Mugubi.
Say My Name and Other African Stories...
Cultural difference elicits both essentialist and hybrid conversations from diverse fields, particularly the humanities and social sciences. For Africa, essentialist voices, for instance, underscore the need to reject Western culture and return to the African ways of the past. In the 1956 conference of Black Writers, essentialists were represented by Aime Cessaire. In their view, the great Africa could only be founded on its past cultural ways.
Ngugi wa Thiong’o and Obi Wale bolster Cessaire’s proposition in their defence of African languages with respect to the writing of African literature. In their opinion, writing African literature in European languages in tantamount to transmitting European values. Frantz Fanon, on the other hand, contented that Africa can only succeed through a mix of Western and African ways.
Referring to Fanon, Homi Bhabha associates essentialist discourses with the politics of polarity. For him, the return to traditional culture is a recipe for cultural othering that could threaten national aspirations.
It is in the backdrop of these divergent conversations that the stories in Say my Name and Other African Stories from Home and Away we selected. While Joy Chenyenyozi, Yvonne Wamuyu, Maurice Simbili, Virginia Asenath and James Nderitu stand for a cultural mix of what seems inevitable in Africa, Denis Waswa, Muruli Muhande, Imali Abala and Ann Namatasi Lutomia are concerned with representation of Africa’s lost past. Using autobiographical style, the authors capture among other things, the physical environment, childhood activities, initiation rites, parenting styles, dances, food, cherished values and other aspects that show the cultural diversity of the Kenyan populace.
Korondo-Panic: A Satirized Diary of a...
“Articles in this book overflow with humour and thought provoking jokes. The way Araka twists and plays around with names of public figures, their actions and inactions, and blends it with the joys and disappointments of ‘ordinary’ citizens is on another level. The style is readable and appealing. The articles revolve around the novel Coronavirus disease. This is a time to be told and retold to present and future generations.” - Rose Kong’ani Keya, Book Editor and Teacher
“The author has banked on wordplay to offer his contribution in chronicling a critical moment in our lives when COVID-19 threw the world into panic and confusion. The book tells of humanity’s inadequacies, hits and misses. Through his trademark satire, Araka shows that as human beings, we deserve better and can do better even when caught up in difficulties. - Edna, Gutenbergschule, Leipzig
“Many occurrences happen in everyday life and can go unnoticed despite being significant. Araka is a gifted writer that makes such occurrences memorable through satire and humour. The themes in the articles including: political manipulations, exploitation, corruption, family relations, hypocrisy, traditions, and modern technology are well intertwined in the writer’s rich narrative style with vivid descriptions that capture the reader to achieve reading this collection in the shortest time possible. I recommend this collection to readers that wish to relive occurrences in their lives and surroundings in a laughable way.” - George Onkundi, Principal, Nyamira School.
About the Author: Joshua Nyangau Araka is a journalist, creative writer and biographer. His other published works include: Peppered Path, Chronicles of the Idler-Volume One, and Beaten Odds, a Biography of Stephen Mabea.