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Weep Not Child by Ngugi wa Thiongo
Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter.
Together they will serve their country - the teacher and the craftsman. But this is Kenya and the times are against them. In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie.
For the practical Kamau the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.
Devil on the Cross By Ngugi wa Thiongo
One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country.
An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
I Will Marry When I Want by Ngugi wa ...
This is the renowned play which was developed with Kikuyu actors at the Kamiriithu Cultural Centre at Limuru. It proved so powerful, especially in its use of song, that it was banned and was probably one of the factors leading to Ngugi's detention without trial. The original Gikuyu edition went to three printings in the first three months of publication.
Caitaani Mutharaba ini by Ngugi wa Th...
A Grain of Wheat by Ngugi wa Thiongo
Set in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency.
At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret.
As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.
Writers in Politics: Essays by Ngugi ...
Ngugi has put together a new collection under an old title. One of the completely new pieces, "Freedom of Expression," was written for the campaign to try to save Ken Saro-Wiwa and seven other writers from execution in Nigeria.
He has rewritten almost all of the other pieces which have been kept.
Ngugi says "It seemed to me how ironic the title Writers in Politics had turned out to be. In re-issuing these essays I didn't want to lose that nexus between culture and power which had been captured by the title."
Globalectics: Theory and the Politics...
A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens.
Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement.
In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or "orature," and writing, or "literature"; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon.
Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose.
Minutes of Glory: And Other Stories b...
Ngũgĩ wa Thiong ’o, although renowned for his novels, memoirs, and plays, honed his craft as a short story writer. From “The Fig Tree” written in 1960, his first year as an undergraduate at Makere University College in Uganda, to the playful “The Ghost of Michael Jackson,” written while a Distinguished Professor of English and Comparative Literature at the University of California Irvine, these collected stories reveal a master of the short form.
Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence—and including two stories that have never before been published in the United States—Ngũgĩ’s characters include women fighting for their space in a patriarchal society, big men in their Bentleys and Mercedes who have inherited power from the British; and rebels who still embody the fighting spirit of the downtrodden. One of Ngũgĩ’s most beloved stories, “Minutes of Glory,” tells of Beatrice, a sad, but ambitious waitress who fantasizes about being feted and lauded over by the middle class clientele in the city’s beer halls. Her dream leads her on a witty and heartbreaking adventure.
Published for the first time in America, Minutes of Glory and Other Stories celebrates the storytelling might of one of Africa’s best-loved writers.
Decolonising the Mind: The Politics o...
Decolonising the Mind is a collection of essays about language and its constructive role in national culture, history, and identity.
The book, which advocates for linguistic decolonization, is one of Ngũgĩ’s best-known and most-cited non-fiction publications, helping to cement him as a pre-eminent voice theorizing the “language debate” in post-colonial studies.
Ngũgĩ describes the book as “a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism, and in teaching of literature…” Decolonising the Mind is split into four essays: “The Language of African Literature,” “The Language of African Theatre,” “The Language of African Fiction,” and “The Quest for Relevance.”
Petals of Blood by Ngugi Wa Thiongio
The Mau Mau rebellion, as it is often called, which began in Kenya in the early 1950s, was a nationalist, anticolonial armed resistance against the British colonial state.
The guerrilla movement called itself the Kenya Land Freedom Army; the British dubbed the movement “mau mau,” a meaningless name, to obscure the aims otherwise so clear in the resistance army’s name.
Ngugi Wa Thiongío’s Petals of Blood examines, among other things, the betrayal by the postcolonial regime of the ideals of this anticolonial struggle that helped Kenya achieve its independence.
The novel revolves around three men and a woman. The four friends reveal different aspects of their history to each other piecemeal, just as their families had guardedly explained the past to them. The lingering effects of the Mau Mau revolt have affected all their lives and by the end of the novel, each character is wrapped up in his or her own exclusive epiphany about life in Kenya.
Abdullah, the trader, thinks he failed the movement because he did not avenge the death of a friend who was a revolutionary and who was betrayed. Munira, the schoolteacher and eventual wide-eyed prophet, is paralyzed by the shadow of his successful father, who condemned the Mau Mau but aided the crony corruption of independent Kenya. Wanja, the beauty from a broken home, learns that it was two generations of revolutionary fervor that distorted the home she grew up in. And Karega, Thiongío’s union-pushing hero, scrutinizes the history of Mau Mau as if it were a sacred text. Somewhere in that history, they all believe, is the key to wisdom and justice.
Matigari by Ngugi wa Thiongo English ...
Brief Summary
Who is Matigari? Is he young or old; a man or fate; dead or living… or even a resurrection of Jesus Christ? These are the questions asked by the people of this unnamed country, when a man who has survived the war for independence emerges from the mountains and starts making strange claims and demands. Matigari is in search of his family to rebuild his home and start a new and peaceful future.
But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle.
The novel races toward its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation. Matigari is a satire on the betrayal of human ideals and on the bitter experience of post-independence African society.
Matigari by Ngugi wa Thiongo Kikuyu V...
Brief Summary
Who is Matigari? Is he young or old; a man or fate; dead or living… or even a resurrection of Jesus Christ? These are the questions asked by the people of this unnamed country, when a man who has survived the war for independence emerges from the mountains and starts making strange claims and demands. Matigari is in search of his family to rebuild his home and start a new and peaceful future.
But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle.
The novel races toward its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation. Matigari is a satire on the betrayal of human ideals and on the bitter experience of post-independence African society.
The perfect nine: the epic of Gikuyu ...
Brief Summary
A dazzling, genre-defying novel in verse, from the author Delia Owens says “tackles the absurdities, injustices, and corruption of a continent”
Ngũgĩ wa Thiong’o’s novels and memoirs have received glowing praise from the likes of President Barack Obama, the New Yorker, the New York Times Book Review, The Guardian, and NPR; he has been a finalist for the Man International Booker Prize and is annually tipped to win the Nobel Prize for Literature; and his books have sold tens of thousands of copies around the world.
In his first attempt at the epic form, Ngũgĩ tells the story of the founding of the Gĩkũyũ people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters—called “The Perfect Nine” —and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice.
Ngũgĩ’s epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, “The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.”
The River Between by Ngugi wa Thiongo
Kenda Muiyuru Rugano rwa Gikuyu na Mu...
"I do not want to reveal too much, but all I can say is that it's perhaps one of the most experimental creative works that Ngugi has written,” Mr Kamau added.
Kenda Muiyuru (a full nine) is often mentioned in reference to the daughters of Gikuyu and Mumbi, the mythical first family that is believed to have given rise to the Gikuyu community.
Birth of a Dream Weaver by Ngugi wa T...
Brief Summary
Birth of a Dream Weaver charts the very beginnings of a writer’s creative output. In this wonderful memoir, Kenyan writer Ngugi wa Thiong’o recounts the four years he spent in Makerere University in Kampala, Uganda—threshold years where he found his voice as a playwright, journalist, and novelist, just as Uganda, Kenya, Congo, and other countries were in the final throes of their independence struggles.
James Ngugi, as he was known then, is haunted by the emergency period of the previous decade in Kenya, when his friends and relatives were killed during the Mau Mau Rebellion. He is also haunted by the experience of his childhood in a polygamous family and the brave break his mother made from his father’s home.
Accompanied by these ghosts, Ngugi begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present.
What unfolds in this moving and thought-provoking memoir is both the birth of one of the most important living writers—lauded for his "epic imagination” (Los Angeles Times)—and the death of one of the most violent episodes in global history.
Dreams in a Time of War by Ngugi wa T...
By the world-renowned novelist, playwright, critic, and author of Wizard of the Crow, an evocative and affecting memoir of childhood. Ngugi wa Thiong’o was born in 1938 in rural Kenya to a father whose four wives bore him more than a score of children. The man who would become one of Africa’s leading writers was the fifth child of the third wife.
Even as World War II affected the lives of Africans under British colonial rule in particularly unexpected ways, Ngugi spent his childhood as very much the apple of his mother’s eye before attending school to slake what was then considered a bizarre thirst for learning. In Dreams in a Time of War, Ngugi deftly etches a bygone era, capturing the landscape, the people, and their culture; the social and political vicissitudes of life under colonialism and war; and the troubled relationship between an emerging Christianized middle class and the rural poor.
And he shows how the Mau Mau armed struggle for Kenya’s independence against the British informed not only his own life but also the lives of those closest to him. Dreams in a Time of War speaks to the human right to dream even in the worst of times. It abounds in delicate and powerful subtleties and complexities that are movingly told.
Wizard of the Crow by Ngugi wa Thiongo
Brief Summary
From the exiled Kenyan novelist, playwright, poet, and literary critic--a magisterial comic novel that is certain to take its place as a landmark of postcolonial African literature. In exile now for more than twenty years, Ngugi wa Thiongo has become one of the most widely read African writers of our time, the power and scope of his work garnering him international attention and praise.
His aim in Wizard of the Crow is, in his own words, nothing less than "to sum up Africa of the twentieth century in the context of two thousand years of world history.” Commencing in "our times” and set in the "Free Republic of Aburiria,” the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburirian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity. Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiongo’s career thus far.
